“Tailwind” seeks to distill the essence of presence and attentiveness, a theme beautifully explored in David Wagoner’s poem “Lost.” This poem, a translation of a story passed down from an old Native American elder, is the kind of tale an elder might share with a child, imparting wisdom crucial for survival: ‘What do I do when I am lost in the forest?’
These photographs are signposts, urging us to engage with the world around us. They serve as pointers to notice the details of the “Here”, encouraging us to treat our surroundings as potent strangers, entities we must strive to understand and harmonise with. Each photograph embodies three vital qualities: silence, attention, and the inversion of the notion of being lost—“…forget yourself to find yourself.” They suggest that our essence is not something we inherently possess; instead, it is revealed to us through our interaction with our environment, if only we allow it.
“Tailwind” is a visual exploration of what it means to be “lost” in the most transformative sense. It invites viewers to embrace the uncertainty and beauty inherent in moments of dislocation. This perspective is woven into each image, prompting viewers to pause, observe, and become part of the intricate tapestry of life.
The metaphor of “Tailwind” speaks to the subtle yet profound forces that guide us when we surrender to the present moment. It is a narrative about trusting the journey, relinquishing control, and finding harmony with the world around us. A gentle nudge to connect, feel and let the “tailwind” guide us, reminding us that sometimes, the best way to find our way is to stop looking so hard.
“Tailwind” seeks to distill the essence of presence and attentiveness, a theme beautifully explored in David Wagoner’s poem “Lost.” This poem, a translation of a story passed down from an old Native American elder, is the kind of tale an elder might share with a child, imparting wisdom crucial for survival: ‘What do I do when I am lost in the forest?’
These photographs are signposts, urging us to engage with the world around us. They serve as pointers to notice the details of the “Here”, encouraging us to treat our surroundings as potent strangers, entities we must strive to understand and harmonise with. Each photograph embodies three vital qualities: silence, attention, and the inversion of the notion of being lost—“…forget yourself to find yourself.” They suggest that our essence is not something we inherently possess; instead, it is revealed to us through our interaction with our environment, if only we allow it.
“Tailwind” is a visual exploration of what it means to be “lost” in the most transformative sense. It invites viewers to embrace the uncertainty and beauty inherent in moments of dislocation. This perspective is woven into each image, prompting viewers to pause, observe, and become part of the intricate tapestry of life.
The metaphor of “Tailwind” speaks to the subtle yet profound forces that guide us when we surrender to the present moment. It is a narrative about trusting the journey, relinquishing control, and finding harmony with the world around us. A gentle nudge to connect, feel and let the “tailwind” guide us, reminding us that sometimes, the best way to find our way is to stop looking so hard.
