In the realm of visual perception, color has long held a position of both reverence and irrelevance, often occupying the contradictory spaces of being indispensable and yet utterly superfluous. This duality is not just a quirk of our sensory apparatus, but a profound statement on the nature of art itself.

Texture, size, and colour hold a complex relationship in photography, one that is both fundamental and elusive. In the SAXUM series, these elements are not merely visual components; they are integral to how the images communicate with the viewer.